Eric Flint - Diamonds Are Forever, Angielskie [EN](4)(2)
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Diamonds Are Forever
Table of Contents
DIAMONDS ARE FOREVER
1. Calling Mamma
2. Meet the Slades
3. Night Movements
4. Echoes of the Present
5. Wealth of History
6. Voices of the Earth
7. Underground Understandings
8. Assault of the Earth
9. Too Little. Too Late?
10. Paging Arne Saknussemm . . .
11. Three-Hour Tour
12. The Road of Nowë
13. Stone and Steel
14. The Sound of Music
15. Some Slight Side-Effects.
Diamonds Are Forever
from
Mountain Magic
Eric Flint,
Ryk E. Spoor
This is a work of fiction. All the characters and events portrayed in this book are fictional, and any
resemblance to real people or incidents is purely coincidental.
This excerpt is the first publication of
Diamonds are Forever
, copyright © 2004 by Eric Flint and Ryk
E. Spoor.
All rights reserved, including the right to reproduce this book or portions thereof in any form.
A Baen Books Original
Baen Publishing Enterprises
P.O. Box 1403
Page 1
Riverdale, NY 10471
www.baen.com
ISBN: 0-7434-8856-3
Cover art by Gary Ruddell
First paperback printing, October 2004
Distributed by Simon & Schuster
1230 Avenue of the Americas
New York, NY 10020
Production by Windhaven Press, Auburn, NH
Typeset by Bell Road Press, Sherwood, OR
Printed in the United States of America
To Henry Kuttner (1914–1958) and
C.L. Moore (1911–1987)
DIAMONDS ARE
FOREVER
Eric Flint and Ryk E. Spoor
1. Calling Mamma
"You're getting MARRIED?!"
I had to pull the receiver away from my ear. Father always said if Mamma was in full voice she could
break window glass over in the next county. "Yes, Mamma. I asked Jodi yesterday and she accepted."
"Well, that's WONDERFUL!" Another ear-saving reaction. Her voice shifted to
No Nonsense
mode.
"Now you've put this off long enough, Clinton Jefferson Slade. You're bringin' that girl home to meet your
family this very week, you hear? I know you can take that time off if'n you try, in that big fancy job that
you're so important at."
When Mamma uses your whole name, there isn't anything for it but you'd better do as you're told. "Yes,
Mamma. It's just . . . Mamma, she's city."
"Well, now, I know that, boy. What other kind of girl would you be meetin' in New York? We're not
completely uneducated out here, you know."
I lowered my voice. "Mamma, I'll come. I'll bring her, okay. But . . . is everything okay there?"
Page 2
"Well, of COURSE it—" Mamma cut off short, then sighed. "Oh. Yes, Clinton, ain't been none of
that
in quite a while. Daddy Zeke said you might be tryin' to hide
that
from this girl and that was why we
hadn't met her."
"From anyone, Mamma, not just Jodi. Family's never told anyone, and I didn't aim to change that." I was
slightly embarrassed to hear the Kentucky accent getting stronger; it always did when I talked to family.
Not that I was really
embarrassed
about my family, not really, but . . . sometimes they were so weird.
"So everything is okay?"
"Just FINE, dear. Now, we'll be expecting you when?"
I did a quick calculation in my head. "Say, Monday evening? We'll be driving and I'll have to make some
arrangements before we go."
"That will be just fine, Clint dear." I was back to Clint now, so that was good. I hadn't been at all sure
how they'd take me marrying a city girl, even though they really thought I was more than half city myself
now. "We'll do you proud, boy, because we really are all proud of you, first Slade to finish college this
century and all, and you done so well."
I blushed, and I know darn well Mamma could tell, even over the phone. "Aw, Mamma, ain't any big
deal, really. Anyone in the family coulda done it."
"Don't you go selling yourself short, Clint dear. Even Evangeline knows perfectly well you're the genius in
our family, and she's no dummy herself. Take care, and the whole family will be looking for you!"
We exchanged kisses over the phone, silly though that sounds, and I hung up.
"So," Jodi said, coming over, "were those bellows of fury, or was she happy to hear about it?"
"You could hear her?"
"
Oy vey
, Clint," she said, smiling. "Thought she'd break your eardrums with a couple of those."
Jodi was something of an anachronism. Her grandparents were immigrants who still spoke more Yiddish
than English and had maintained an intimidatingly firm emphasis on the link between the old and new
traditions. Linguistic traditions, anyway, if not religious ones. Jodi's grandfather had been active in the
needle trade unions, a follower of Max Shachtman's brand of socialism. He had no use for religions of
any kind, but that hadn't stopped him from maintaining a number of Jewish habits and customs. Jodi's
family was almost a time capsule of clichés from the '40s and '50s, and Jodi had inherited enough to
sound like a near-parody of the New York "Jewish American Princess." So why did I find her Yiddish,
of all things, endearing? Especially when spoken with that New York accent that reminded me of nails on
a chalkboard?
Probably just the blindness of love, I had to admit. I'd known Jodi Goldman for four years, though, so
hopefully the blindness (or, in this case, deafness) would last for many years yet. "She was ecstatic," I
said, answering her question. "I guess I should have more faith in my family, but they are still, well . . ."
"About as rustic backwoods as you were when you first showed up?"
I laughed. "Worse, sweetheart. I'd gone through college before that, remember. First Slade—"
Page 3
"—this century, yes, I know, my fave
nebbish
. You mentioned it a time or two, probably because your
whole family mentions it every time you go home, yes?"
"And on the phone. Look, I sorta committed us to go visit. You don't argue with Mamma."
"Yeah, sounds like my mother. When are we supposed to get there, so they can get a good look at what
a horse you're bringing home?"
Jodi's sensitive about her height—she's taller than me by two inches or so, and I'm almost six feet tall.
This doesn't bother me, but when she's nervous she tends to fret about it. As well as her weight, which
for her height is just fine. "Don't you worry about that, Jodi. When they get a look at you, Father'll be
tellin' me how lucky I am, and I'll have to watch so Adam doesn't try to steal you. Next week."
"What? Are you totally
meshuggeh
? What about work?"
"Mamma knows I can take the time off. What about you?"
She made a sort of growling noise in her throat, and then hummed several bars of a Streisand tune—a
sign she was both thinking and calming herself down. "Okay, yeah, I think I can do that. They won't be
thrilled, but if we want to make your Mamma happy, I can live with it. Oy, I have packing to do! Do you
have electricity where you live?"
I managed to keep from laughing. "Yes. We have our own generators, actually. Every month Father or
Adam trucks in to town to buy the fuel. Had to have the phone line run in special; these days I suppose
we'd have done something like get a satellite link, but not back when the family first decided to get one."
Jodi blinked. "Running out a phone line just for you? That's pretty pricey, Clint."
"I said we was backwoods," I drawled, emphasizing my Kentucky accent. "Didn't say we was
poor
backwoods. If the Slades ain't the richest family in Crittenden County, it's only 'cause we've spent a lot of
it the last few decades."
"I never knew, Clint." Jodi looked at me with surprise. "How'd your family get rich?"
I realized my big mouth had me dangerously close to the secret. Time to follow the honorable Slade
tradition of ducking the truth. "One of my ancestors, Winston Slade, made a ton of money mining, and
brought it with him to the homestead when he settled down." That was, as one of my online friends would
put it, "telling the truth like a Jedi"—it was true "from a certain point of view." If I'd done the casual voice
right, though, she'd never suspect a thing. Once we were married, we'd be living near New York and just
visit the family homestead once in a while, so the chances were she'd never have to know.
"Well, that'll be a relief for my more cynical relatives," Jodi said, throwing back her long black hair.
"They were kinda worried about just what your background was, especially with your nickname."
I wasn't very surprised. "I suppose 'Crowbar' Slade does sound either like a real honest-to-god Good
Ole Boy, or like a wannabe wrestler." Truth was, I'd gotten the nickname in college because my
roommates noticed I had a crowbar in my baggage when I moved in, and that I had that particular bag
with me most of the time.
"Look," Jodi said, "if we're leaving to get there Monday like I think I heard you say, I gotta get moving.
Page 4
We just got tomorrow to get ready. And like I didn't already have a busy schedule tomorrow? You
know what sort of planning I have to do for the wedding, and now we have to schlep all the way to
Kentucky." She leaned slightly down and we both shut up for a while for the good-bye kiss, which lasted
for several kisses as usual before she finally got out the door.
I sighed and grinned. Hey, maybe this would be fun.
2. Meet the Slades
"Ow! I see why you have this oversuspended monster now." A larger bump than normal jolted Jodi
against the harness. "And boy am I glad we put the equipment in those transport cases."
"I wouldn't have pulled out of the driveway if you hadn't. You want to keep doing work on our vacation,
I'm at least going to make sure you can't wreck half the lab's equipment getting there. 'Sides, that one
weren't nothing. Right after winter you should see the potholes we get and have to fill in afore—I mean,
be
fore—we can really drive the road well." I kicked myself mentally. One night sleeping over in a
southern West Virginia motel on the way and a few stops at regional gas stations and I was already falling
back into dialect. Pretty soon Jodi wouldn't even understand me.
"No bigger than the one on Seventeenth last month," Jodi said dismissingly. I had to remember that New
Yorkers are like Texans: their potholes are worse, their taxicab drivers more dangerous, and their people
tougher than anyone else, damn what the facts might be.
"Construction areas don't count as potholes." I responded. "
Holy—!
"
I slammed on the brakes just in time to keep from going over into the ravine that now cut squarely
across the packed and oiled rock-dirt roadway leading to the Slade homestead. Last time I'd been here
there hadn't been a sign of such a thing; now it yawned, a raw gash in the earth, fully forty feet from the
edge I sat on to the other side, eight feet deep on the right dropping to ten or twelve on the left as it
passed out of sight into the old-growth forest.
We sat there for a few moments in silence, me waiting for my heart to stop pounding before I slowly
backed the truck a few more feet from the edge, just in case. Jodi turned to me. "So you
had
to prove
me wrong. Okay, that is bigger than the one on Seventeenth." She looked at the ravine with slightly wide
eyes, the only sign she was going to let this disturb her New York sangfroid. "So, what, are we supposed
to fill that in with our bare hands?"
"Stay here a minute." I reached down into the bag and grabbed the crowbar.
I walked to the edge, so I could look to the left and right. I could see, down below, the mound of
jumbled dirt, trees, and rocks which marked the slide. The thing that bothered me—really,
really
bothered me—was how straight and selective this was. The slide started about fifty feet up the slope, cut
across the road in a perfect right angle, and ended about a hundred feet below. I poked at the dirt with
the crowbar; it crumbled like normal, not too wet, packed hard where the road was. There wasn't any
sign of the usual slumping you get when the earth's moving because it's gotten too soggy and all. The road
looked like someone had just cut a piece out of it with a giant knife, like a Bunyan-sized slice of earth pie.
I listened. Not a sound except some water dripping off the trees in the fog—and the fog wasn't common
this time of year, either. Seemed like the air was colder here than ought be. No animal sounds, the critters
Page 5
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Diamonds Are Forever
Table of Contents
DIAMONDS ARE FOREVER
1. Calling Mamma
2. Meet the Slades
3. Night Movements
4. Echoes of the Present
5. Wealth of History
6. Voices of the Earth
7. Underground Understandings
8. Assault of the Earth
9. Too Little. Too Late?
10. Paging Arne Saknussemm . . .
11. Three-Hour Tour
12. The Road of Nowë
13. Stone and Steel
14. The Sound of Music
15. Some Slight Side-Effects.
Diamonds Are Forever
from
Mountain Magic
Eric Flint,
Ryk E. Spoor
This is a work of fiction. All the characters and events portrayed in this book are fictional, and any
resemblance to real people or incidents is purely coincidental.
This excerpt is the first publication of
Diamonds are Forever
, copyright © 2004 by Eric Flint and Ryk
E. Spoor.
All rights reserved, including the right to reproduce this book or portions thereof in any form.
A Baen Books Original
Baen Publishing Enterprises
P.O. Box 1403
Page 1
Riverdale, NY 10471
www.baen.com
ISBN: 0-7434-8856-3
Cover art by Gary Ruddell
First paperback printing, October 2004
Distributed by Simon & Schuster
1230 Avenue of the Americas
New York, NY 10020
Production by Windhaven Press, Auburn, NH
Typeset by Bell Road Press, Sherwood, OR
Printed in the United States of America
To Henry Kuttner (1914–1958) and
C.L. Moore (1911–1987)
DIAMONDS ARE
FOREVER
Eric Flint and Ryk E. Spoor
1. Calling Mamma
"You're getting MARRIED?!"
I had to pull the receiver away from my ear. Father always said if Mamma was in full voice she could
break window glass over in the next county. "Yes, Mamma. I asked Jodi yesterday and she accepted."
"Well, that's WONDERFUL!" Another ear-saving reaction. Her voice shifted to
No Nonsense
mode.
"Now you've put this off long enough, Clinton Jefferson Slade. You're bringin' that girl home to meet your
family this very week, you hear? I know you can take that time off if'n you try, in that big fancy job that
you're so important at."
When Mamma uses your whole name, there isn't anything for it but you'd better do as you're told. "Yes,
Mamma. It's just . . . Mamma, she's city."
"Well, now, I know that, boy. What other kind of girl would you be meetin' in New York? We're not
completely uneducated out here, you know."
I lowered my voice. "Mamma, I'll come. I'll bring her, okay. But . . . is everything okay there?"
Page 2
"Well, of COURSE it—" Mamma cut off short, then sighed. "Oh. Yes, Clinton, ain't been none of
that
in quite a while. Daddy Zeke said you might be tryin' to hide
that
from this girl and that was why we
hadn't met her."
"From anyone, Mamma, not just Jodi. Family's never told anyone, and I didn't aim to change that." I was
slightly embarrassed to hear the Kentucky accent getting stronger; it always did when I talked to family.
Not that I was really
embarrassed
about my family, not really, but . . . sometimes they were so weird.
"So everything is okay?"
"Just FINE, dear. Now, we'll be expecting you when?"
I did a quick calculation in my head. "Say, Monday evening? We'll be driving and I'll have to make some
arrangements before we go."
"That will be just fine, Clint dear." I was back to Clint now, so that was good. I hadn't been at all sure
how they'd take me marrying a city girl, even though they really thought I was more than half city myself
now. "We'll do you proud, boy, because we really are all proud of you, first Slade to finish college this
century and all, and you done so well."
I blushed, and I know darn well Mamma could tell, even over the phone. "Aw, Mamma, ain't any big
deal, really. Anyone in the family coulda done it."
"Don't you go selling yourself short, Clint dear. Even Evangeline knows perfectly well you're the genius in
our family, and she's no dummy herself. Take care, and the whole family will be looking for you!"
We exchanged kisses over the phone, silly though that sounds, and I hung up.
"So," Jodi said, coming over, "were those bellows of fury, or was she happy to hear about it?"
"You could hear her?"
"
Oy vey
, Clint," she said, smiling. "Thought she'd break your eardrums with a couple of those."
Jodi was something of an anachronism. Her grandparents were immigrants who still spoke more Yiddish
than English and had maintained an intimidatingly firm emphasis on the link between the old and new
traditions. Linguistic traditions, anyway, if not religious ones. Jodi's grandfather had been active in the
needle trade unions, a follower of Max Shachtman's brand of socialism. He had no use for religions of
any kind, but that hadn't stopped him from maintaining a number of Jewish habits and customs. Jodi's
family was almost a time capsule of clichés from the '40s and '50s, and Jodi had inherited enough to
sound like a near-parody of the New York "Jewish American Princess." So why did I find her Yiddish,
of all things, endearing? Especially when spoken with that New York accent that reminded me of nails on
a chalkboard?
Probably just the blindness of love, I had to admit. I'd known Jodi Goldman for four years, though, so
hopefully the blindness (or, in this case, deafness) would last for many years yet. "She was ecstatic," I
said, answering her question. "I guess I should have more faith in my family, but they are still, well . . ."
"About as rustic backwoods as you were when you first showed up?"
I laughed. "Worse, sweetheart. I'd gone through college before that, remember. First Slade—"
Page 3
"—this century, yes, I know, my fave
nebbish
. You mentioned it a time or two, probably because your
whole family mentions it every time you go home, yes?"
"And on the phone. Look, I sorta committed us to go visit. You don't argue with Mamma."
"Yeah, sounds like my mother. When are we supposed to get there, so they can get a good look at what
a horse you're bringing home?"
Jodi's sensitive about her height—she's taller than me by two inches or so, and I'm almost six feet tall.
This doesn't bother me, but when she's nervous she tends to fret about it. As well as her weight, which
for her height is just fine. "Don't you worry about that, Jodi. When they get a look at you, Father'll be
tellin' me how lucky I am, and I'll have to watch so Adam doesn't try to steal you. Next week."
"What? Are you totally
meshuggeh
? What about work?"
"Mamma knows I can take the time off. What about you?"
She made a sort of growling noise in her throat, and then hummed several bars of a Streisand tune—a
sign she was both thinking and calming herself down. "Okay, yeah, I think I can do that. They won't be
thrilled, but if we want to make your Mamma happy, I can live with it. Oy, I have packing to do! Do you
have electricity where you live?"
I managed to keep from laughing. "Yes. We have our own generators, actually. Every month Father or
Adam trucks in to town to buy the fuel. Had to have the phone line run in special; these days I suppose
we'd have done something like get a satellite link, but not back when the family first decided to get one."
Jodi blinked. "Running out a phone line just for you? That's pretty pricey, Clint."
"I said we was backwoods," I drawled, emphasizing my Kentucky accent. "Didn't say we was
poor
backwoods. If the Slades ain't the richest family in Crittenden County, it's only 'cause we've spent a lot of
it the last few decades."
"I never knew, Clint." Jodi looked at me with surprise. "How'd your family get rich?"
I realized my big mouth had me dangerously close to the secret. Time to follow the honorable Slade
tradition of ducking the truth. "One of my ancestors, Winston Slade, made a ton of money mining, and
brought it with him to the homestead when he settled down." That was, as one of my online friends would
put it, "telling the truth like a Jedi"—it was true "from a certain point of view." If I'd done the casual voice
right, though, she'd never suspect a thing. Once we were married, we'd be living near New York and just
visit the family homestead once in a while, so the chances were she'd never have to know.
"Well, that'll be a relief for my more cynical relatives," Jodi said, throwing back her long black hair.
"They were kinda worried about just what your background was, especially with your nickname."
I wasn't very surprised. "I suppose 'Crowbar' Slade does sound either like a real honest-to-god Good
Ole Boy, or like a wannabe wrestler." Truth was, I'd gotten the nickname in college because my
roommates noticed I had a crowbar in my baggage when I moved in, and that I had that particular bag
with me most of the time.
"Look," Jodi said, "if we're leaving to get there Monday like I think I heard you say, I gotta get moving.
Page 4
We just got tomorrow to get ready. And like I didn't already have a busy schedule tomorrow? You
know what sort of planning I have to do for the wedding, and now we have to schlep all the way to
Kentucky." She leaned slightly down and we both shut up for a while for the good-bye kiss, which lasted
for several kisses as usual before she finally got out the door.
I sighed and grinned. Hey, maybe this would be fun.
2. Meet the Slades
"Ow! I see why you have this oversuspended monster now." A larger bump than normal jolted Jodi
against the harness. "And boy am I glad we put the equipment in those transport cases."
"I wouldn't have pulled out of the driveway if you hadn't. You want to keep doing work on our vacation,
I'm at least going to make sure you can't wreck half the lab's equipment getting there. 'Sides, that one
weren't nothing. Right after winter you should see the potholes we get and have to fill in afore—I mean,
be
fore—we can really drive the road well." I kicked myself mentally. One night sleeping over in a
southern West Virginia motel on the way and a few stops at regional gas stations and I was already falling
back into dialect. Pretty soon Jodi wouldn't even understand me.
"No bigger than the one on Seventeenth last month," Jodi said dismissingly. I had to remember that New
Yorkers are like Texans: their potholes are worse, their taxicab drivers more dangerous, and their people
tougher than anyone else, damn what the facts might be.
"Construction areas don't count as potholes." I responded. "
Holy—!
"
I slammed on the brakes just in time to keep from going over into the ravine that now cut squarely
across the packed and oiled rock-dirt roadway leading to the Slade homestead. Last time I'd been here
there hadn't been a sign of such a thing; now it yawned, a raw gash in the earth, fully forty feet from the
edge I sat on to the other side, eight feet deep on the right dropping to ten or twelve on the left as it
passed out of sight into the old-growth forest.
We sat there for a few moments in silence, me waiting for my heart to stop pounding before I slowly
backed the truck a few more feet from the edge, just in case. Jodi turned to me. "So you
had
to prove
me wrong. Okay, that is bigger than the one on Seventeenth." She looked at the ravine with slightly wide
eyes, the only sign she was going to let this disturb her New York sangfroid. "So, what, are we supposed
to fill that in with our bare hands?"
"Stay here a minute." I reached down into the bag and grabbed the crowbar.
I walked to the edge, so I could look to the left and right. I could see, down below, the mound of
jumbled dirt, trees, and rocks which marked the slide. The thing that bothered me—really,
really
bothered me—was how straight and selective this was. The slide started about fifty feet up the slope, cut
across the road in a perfect right angle, and ended about a hundred feet below. I poked at the dirt with
the crowbar; it crumbled like normal, not too wet, packed hard where the road was. There wasn't any
sign of the usual slumping you get when the earth's moving because it's gotten too soggy and all. The road
looked like someone had just cut a piece out of it with a giant knife, like a Bunyan-sized slice of earth pie.
I listened. Not a sound except some water dripping off the trees in the fog—and the fog wasn't common
this time of year, either. Seemed like the air was colder here than ought be. No animal sounds, the critters
Page 5
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