Electric Bass Two (Hal Leonard), Bass E-books
[ Pobierz całość w formacie PDF ]
I
HAL LEONARD
nethod
by
DAN DEAI
'
HAL
LEONARD
ELECTRIC
'
BnSS
A NEW
method
by
DAN DEAN
2
2
REVIEW OF BOOK
1
CONCEPTS
CONTENTS
34
TUNES USING SIXTEENTH NOTES
34
Punk
4
INTRODUCTION TO SCALES
4
THE MAJOR SCALE
4
KEY SIGNATURES
5
THE CYCLE OF FIFTHS (OR FOURTHS)
6
THREE MAJOR SCALE FINGERINGS
7
MAJOR SCALES IN THE CYCLE OF 4ths
10
COMBINING MAJOR SCALES
12
TUNES USING MAJOR SCALES
12
Rock On
12
Da Nut Hut
13
Live And Learn
14
MINOR SCALES
16
THREE NATURAL MINOR SCALE FINGERINGS
17
NATURAL MINOR SCALES IN THE CYCLE OF 4ths
20
COMBINING MINOR SCALES
22
TUNES USING MINOR SCALES
22
Just
Walking
22
A1
Fresco
23
Get Down
24
SIXTEENTH NOTES
25
THE SIXTEENTH NOTE REST
26
SIXTEENTH NOTES ON OPEN STRINGS
27
SIMPLE SIXTEENTH NOTES
29
SIMPLE SIXTEENTHS AND EIGHTHS
31
COMBINING SIXTEENTHS WITH EIGHTHS
32
EIGHTHS AND SIXTEENTHS BEAMED
34
Reggae Rhythm
35
Some Funk
36
NEW RIGHT-HAND TECHNIQUES
37
SLAPS ON OPEN STRINGS
38
TUNES USING THE SLAP
38
Thumper
38
Sledge Hammer
39
THE POP
40
POPS ON OPEN STRINGS
41
TUNES USING POPS
41
Poppin'
41
Zip Down
42
NEW LEFT-HAND TECHNIQUES
THE HAMMER-ON
43
TUNES USING HAMMER-ONS
43
Dancin' In The Streets
43
Hondo
44
PULL-OFFS
45
TUNES USING PULL-OFFS
45
Look Out
45
Too Much
46
REVIEW TUNE
#1
46
Last Chance
47
REVIEW TUNE
#2
47
Flash
ABOUT THE AUTHOR
Dan Dean has earned the reputation as an outstanding
bassist, composer, educator, and producer and is gaining
wide acceptance as a recording artist in the U.S., Europe
and Japan. Dan has performed or recorded with per-
formers such as Howard Roberts, Ernie Watts, B.B.
King, Peggy Lee, Donny Hathaway, Ernestine Anderson
and many others. His debut album, WHISTLING
MIDGETS (Inner City Records IC 1126lTIC 1126) with
mallet player, Tom Collier, has recently been released.
Dan is on the Associate Faculties of Western Washington
Univ., Shoreline College, and Olympic College. He has
appeared as soloist with many of the symphonies on the
west coast, performing both original symphonic works
for electric bass
&
orchestra and transcriptions of classical
works by such composers as Vivaldi, Bach and Respighi.
Dan Dean is currently an artist for the Toucan Bass and
Dean Markley strings.
Homr
O(lirc: N~tional
%I.%
Q*.r:
%'>
:.5:
'.'.Mi
Slreet
8112
(Yril
B*,.rr
L.>-,
lode
W
r
W,i.lwauiee
WI
53913
O
1982 HAL LEONARD PUBLISHING CORPORATION
International
Copyright Secured
All Rights Reserved
1
ABOUT THE AUTHOR
v.N
55981
REVIEW
OF
BOOK 1 CONCEPTS
THE STAFF
r
The Spaces-
The Bass
Clef
U
L
The Lines
Notes that are either higher or lower in pitch than the lines and spaces of the staff
are written on ledger lines.
*
(El
COMBINED STAFF AND TABLATURE
Open Open Open Open
E
A
D
G
4th String 4th String
1st Fret 3rd Fret
In the three method books, you will be using a combined staff and tablature
system. The staff will show you what notes to play and the tablature will show you
how to play them.
-
Bar Or Measure
t
Bar Line1
4;:
4
I
0
1
I;
1
I;
-~irne
Signatures
/
A
staff is divided into bars (or measures) by a bar line.
A
double bar line is used to
show that there is a transition approaching or that it is the end of the piece.
The time signatures tell us how many beats there are to the bar and what kind of
note gets one count. In
414
time, there are
4
quarter notes per bar and the quarter
note gets one count. In
314
time, there are
3
quarter notes per bar and the quarter
note gets one count.
-
I
I
I
I
I
0
Half Notes
Quarter Notes Quarter Rests
Half Rests
Whole Note
Whole Rest
Eighth Notes Eighth Rests
In
414
time, there are 4 quarter notes per bar: 2 half notes; 1whole note or 8 eighth
notes.
TIE AND ACCENTS
-
A
tie is a curved line that connects two notes within a bar or across a bar line. In bar
1,
the quarter note is tied to an eighth note. This means that the quarter note is plucked and
the sound is allowed to ring through the eighth note without being plucked again. Bar 1
and bar
2
are written differently but both bars would be played the same. Bar 2 shows a
dotted quarter note. A dot after a note means to add 1
/2
of the note's value
-
in this
case, a quarter and an eighth note. Also in bar
2,
notice the accent mark. An accent tells
you to play that note louder.
.q
I
L
I
I
I
I
I
I
1 A
I
I1
I
I
I
I
I
I
I
I 0
I- 0
0
1
2
'
Accent
3
~iey
ACCIDENTALS WITH TIES
-
-
I
-
I
I
I
I
r
I
B
Flat
t
B Natural
t
1
2
In bar 1, all of the B's are Bb
.
When the last note in bar
1
(Bb) is tied over to the B
in bar 2, it also becomes Bb. The B in beat three of bar
2
is Bh since other than in a
tied situation a bar line cancels an accidental.
THE COUNT LINE:
2
+
3
+
4
Rest
Ritard
'
The count line is added to the tablature to show you how the rhythms arecounted.
A
bracket underneath the count shows you how tied and dotted notes are counted.
Rit. (or ritard) means to gradually slow down.
I
INTRODUCTION TO SCALES
The smallest interval (the distance between two notes) is called a half-step.
A
half-step
is the distance ofjust one fret on any string.
A
whole-step (which equals
2
half-steps), is
the distance of
2
frets on any string. Scales are made up of intervals (half-steps,
whole-steps and
1 1
/2
steps).
Developing a solid bass line requires the bassist to have a good grasp of scales (major,
minor, diminished, augmented, whole-tone, etc.) and modes (which you will find in the
Studio Series bass books). It is important to know that scales, modes, and intervals are
all "tools" that the bassist uses in his craft.
THE MAJOR SCALE
(WWHWWWH)
Major Scale Steps
Half
Half
v'v'
Whole Whole
D
E
vvv
Whole Whole Whole
G
A
B
C
IKI
The above pattern of whole and half steps will be the same in all major
scales.
KEY SIGNATURES
The sharps or flats placed at the beginning
af
a
composition indicate the key or key
signature.
Up until this point, all exercises have been written in the key signature of
C.
(No flats or sharps.)
If you wanted to play in the key of F major, you would by using this scale:
Half
J*
Half
-
vv
vv'v
Whole Whole
Whole Whole Whole
*Notice that in an
F
major scale there
is
a
Bb.
C
F
[ Pobierz całość w formacie PDF ]
zanotowane.pl doc.pisz.pl pdf.pisz.pl upanicza.keep.pl
I
HAL LEONARD
nethod
by
DAN DEAI
'
HAL
LEONARD
ELECTRIC
'
BnSS
A NEW
method
by
DAN DEAN
2
2
REVIEW OF BOOK
1
CONCEPTS
CONTENTS
34
TUNES USING SIXTEENTH NOTES
34
Punk
4
INTRODUCTION TO SCALES
4
THE MAJOR SCALE
4
KEY SIGNATURES
5
THE CYCLE OF FIFTHS (OR FOURTHS)
6
THREE MAJOR SCALE FINGERINGS
7
MAJOR SCALES IN THE CYCLE OF 4ths
10
COMBINING MAJOR SCALES
12
TUNES USING MAJOR SCALES
12
Rock On
12
Da Nut Hut
13
Live And Learn
14
MINOR SCALES
16
THREE NATURAL MINOR SCALE FINGERINGS
17
NATURAL MINOR SCALES IN THE CYCLE OF 4ths
20
COMBINING MINOR SCALES
22
TUNES USING MINOR SCALES
22
Just
Walking
22
A1
Fresco
23
Get Down
24
SIXTEENTH NOTES
25
THE SIXTEENTH NOTE REST
26
SIXTEENTH NOTES ON OPEN STRINGS
27
SIMPLE SIXTEENTH NOTES
29
SIMPLE SIXTEENTHS AND EIGHTHS
31
COMBINING SIXTEENTHS WITH EIGHTHS
32
EIGHTHS AND SIXTEENTHS BEAMED
34
Reggae Rhythm
35
Some Funk
36
NEW RIGHT-HAND TECHNIQUES
37
SLAPS ON OPEN STRINGS
38
TUNES USING THE SLAP
38
Thumper
38
Sledge Hammer
39
THE POP
40
POPS ON OPEN STRINGS
41
TUNES USING POPS
41
Poppin'
41
Zip Down
42
NEW LEFT-HAND TECHNIQUES
THE HAMMER-ON
43
TUNES USING HAMMER-ONS
43
Dancin' In The Streets
43
Hondo
44
PULL-OFFS
45
TUNES USING PULL-OFFS
45
Look Out
45
Too Much
46
REVIEW TUNE
#1
46
Last Chance
47
REVIEW TUNE
#2
47
Flash
ABOUT THE AUTHOR
Dan Dean has earned the reputation as an outstanding
bassist, composer, educator, and producer and is gaining
wide acceptance as a recording artist in the U.S., Europe
and Japan. Dan has performed or recorded with per-
formers such as Howard Roberts, Ernie Watts, B.B.
King, Peggy Lee, Donny Hathaway, Ernestine Anderson
and many others. His debut album, WHISTLING
MIDGETS (Inner City Records IC 1126lTIC 1126) with
mallet player, Tom Collier, has recently been released.
Dan is on the Associate Faculties of Western Washington
Univ., Shoreline College, and Olympic College. He has
appeared as soloist with many of the symphonies on the
west coast, performing both original symphonic works
for electric bass
&
orchestra and transcriptions of classical
works by such composers as Vivaldi, Bach and Respighi.
Dan Dean is currently an artist for the Toucan Bass and
Dean Markley strings.
Homr
O(lirc: N~tional
%I.%
Q*.r:
%'>
:.5:
'.'.Mi
Slreet
8112
(Yril
B*,.rr
L.>-,
lode
W
r
W,i.lwauiee
WI
53913
O
1982 HAL LEONARD PUBLISHING CORPORATION
International
Copyright Secured
All Rights Reserved
1
ABOUT THE AUTHOR
v.N
55981
REVIEW
OF
BOOK 1 CONCEPTS
THE STAFF
r
The Spaces-
The Bass
Clef
U
L
The Lines
Notes that are either higher or lower in pitch than the lines and spaces of the staff
are written on ledger lines.
*
(El
COMBINED STAFF AND TABLATURE
Open Open Open Open
E
A
D
G
4th String 4th String
1st Fret 3rd Fret
In the three method books, you will be using a combined staff and tablature
system. The staff will show you what notes to play and the tablature will show you
how to play them.
-
Bar Or Measure
t
Bar Line1
4;:
4
I
0
1
I;
1
I;
-~irne
Signatures
/
A
staff is divided into bars (or measures) by a bar line.
A
double bar line is used to
show that there is a transition approaching or that it is the end of the piece.
The time signatures tell us how many beats there are to the bar and what kind of
note gets one count. In
414
time, there are
4
quarter notes per bar and the quarter
note gets one count. In
314
time, there are
3
quarter notes per bar and the quarter
note gets one count.
-
I
I
I
I
I
0
Half Notes
Quarter Notes Quarter Rests
Half Rests
Whole Note
Whole Rest
Eighth Notes Eighth Rests
In
414
time, there are 4 quarter notes per bar: 2 half notes; 1whole note or 8 eighth
notes.
TIE AND ACCENTS
-
A
tie is a curved line that connects two notes within a bar or across a bar line. In bar
1,
the quarter note is tied to an eighth note. This means that the quarter note is plucked and
the sound is allowed to ring through the eighth note without being plucked again. Bar 1
and bar
2
are written differently but both bars would be played the same. Bar 2 shows a
dotted quarter note. A dot after a note means to add 1
/2
of the note's value
-
in this
case, a quarter and an eighth note. Also in bar
2,
notice the accent mark. An accent tells
you to play that note louder.
.q
I
L
I
I
I
I
I
I
1 A
I
I1
I
I
I
I
I
I
I
I 0
I- 0
0
1
2
'
Accent
3
~iey
ACCIDENTALS WITH TIES
-
-
I
-
I
I
I
I
r
I
B
Flat
t
B Natural
t
1
2
In bar 1, all of the B's are Bb
.
When the last note in bar
1
(Bb) is tied over to the B
in bar 2, it also becomes Bb. The B in beat three of bar
2
is Bh since other than in a
tied situation a bar line cancels an accidental.
THE COUNT LINE:
2
+
3
+
4
Rest
Ritard
'
The count line is added to the tablature to show you how the rhythms arecounted.
A
bracket underneath the count shows you how tied and dotted notes are counted.
Rit. (or ritard) means to gradually slow down.
I
INTRODUCTION TO SCALES
The smallest interval (the distance between two notes) is called a half-step.
A
half-step
is the distance ofjust one fret on any string.
A
whole-step (which equals
2
half-steps), is
the distance of
2
frets on any string. Scales are made up of intervals (half-steps,
whole-steps and
1 1
/2
steps).
Developing a solid bass line requires the bassist to have a good grasp of scales (major,
minor, diminished, augmented, whole-tone, etc.) and modes (which you will find in the
Studio Series bass books). It is important to know that scales, modes, and intervals are
all "tools" that the bassist uses in his craft.
THE MAJOR SCALE
(WWHWWWH)
Major Scale Steps
Half
Half
v'v'
Whole Whole
D
E
vvv
Whole Whole Whole
G
A
B
C
IKI
The above pattern of whole and half steps will be the same in all major
scales.
KEY SIGNATURES
The sharps or flats placed at the beginning
af
a
composition indicate the key or key
signature.
Up until this point, all exercises have been written in the key signature of
C.
(No flats or sharps.)
If you wanted to play in the key of F major, you would by using this scale:
Half
J*
Half
-
vv
vv'v
Whole Whole
Whole Whole Whole
*Notice that in an
F
major scale there
is
a
Bb.
C
F
[ Pobierz całość w formacie PDF ]