Erica L Satifka - Automatic

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He rents his optic nerve to vacationers from Ganymede for forty skins a night.
She finds him in the corner of the bar he goes to every night after work and
stays in until it's time to go to work again, sucking on an electrical wire
that stretches from the flaking wall.
"That's not going to kill you any more," she says.
He ignores her, grinding sheathed copper between brown-stained molars.
"My name is Linda Sue. I want to make babies with you."
"That rhymes," he says.
"Will you do it or not?"
"Or not."
Linda Sue stamps her foot. "Come on."
"I'll take you out first. Then we'll see." He takes her by the hand and leads
her out of the bar, out into the heart of downtown New York City.
New York City, population three hundred and twenty.
He guides her to a restaurant he knows where the food is stacked in piles on
hygienic white counters and the electricity works. She has two eyes and two
hands and one set of lips, which means she is pretty. They each take a few
slabs of food—the food here is free—and sit on the ground. He tells her about
his life and her eyes open wide as headlights.
"I've never known anyone who had a job before."
"It's not a job. It's a career." He works at a factory, pouring liquid plastic
into molds shaped like four-tined forks. "I have a quota to fill."
"Why don't you just ask the Ganys for plastic forks? Why does someone need so
many plastic forks anyway" She tears off a corner of her foodslab; it comes
off onto her fingers like cotton candy. Or insulation.
"They're not for me, they're for people."
"I don't have to work. I don't like to. I just ask the Ganys for everything.
They like to give us stuff."
"Well, I don't ask them." He doesn't think about the creatures dancing
spider-like on his nerve. "I'm self-sufficient."
"Are we going to fuck or what?"
"Later, later. If you're good."
In Central Park they walk past a rusted-over carousel. She's drunk from the
amber-colored alcohol-infused drinkslab she's consumed, and he's propping her
up, forcing her to walk straight.
"I think I'm in love with you," she slurs.
 "You don't know what that word means."
They pass a pair of Ganys wrapped in the form of two wall-eyed Jamaican
teenagers, humans whose bodies were either sacrificed to or commandeered by
the intelligent energy beams. The girls giggle and point as they pass. He
flips them off.
"That wasn't very nice."
"They patronize us. Don't you see how they patronize us? There's too many of
them in this city. I want to get away from here, out into the country. Will
you come with me?"
"Nobody lives in the country."
"Exactly." But
he knows it is pointless; nobody lives in the country because there is no way
to live in the country. The farms are all poisoned and the shadow of the
plague still lingers. The Ganys, knowing this, constructed an invisible
olfactory wall, to keep humans and germs from mingling.
He will never leave New York City. Always a hotel, never a tourist.
The story of the plague goes like this:
Once you could be certain that you would not spontaneously grow legs from your
shoulder blades and arms from your buttocks. You could be reasonably sure that
ears would not sprout on your cheeks overnight. Then the plague happened, and
you couldn't take that for granted anymore.
Until the Ganys came.
They get back to the bar and she takes off her clothes. Her ribs stick out
like a xylophone. The foodslabs keep them alive, but they aren't the right
kind of nourishment. But you couldn't expect intelligent energy beams to
understand food.
Linda Sue's body is fuzzy and indistinct, a peach-colored blur. His vision is
cloudy from the tourists in his head. He crawls back to his corner.
"Aren't you going to fuck me now? Aren't you going to give me my babies?"
"No, I'm still not ready."
"Oh, screw you! You're crazy. Why don't you get the Ganys to fix that for you?
They fixed it for me."
Now all you want to do is mate, he thinks. Not make love, you can't love
anymore. Mate with the last members of your species so you can bring us back
from the brink of extinction. That's all it is.
"I can't."
She shakes her head. "I'm leaving. I can find some other male to give me my
babies. I don't need you." She slams the lockless door behind her. He hunkers
 down in the corner.
He awakes to unclouded vision. The vacationers checked out of his optic nerve
as he slept. He rubs his empty eyes and stumbles to the corner market, where
he throws down a few skins and picks up some foodslabs.
"You don't have to pay for those," the Gany monitoring the electricity says.
"Yes, I do."
It would be so easy, he thinks sometimes, to go down to the place where the
Ganys congregate, the place where you can go rent your body for a day or a
lifetime to their volunteers, and just turn yourself over. Shut off your brain
for as long as you wanted, and you'd get a nice pile of goodies when your
assignment was over. But he'd never done that. Renting his eyes was as far as
he'd go. And even that was done not out of love for the aliens or the desire
for material objects but the knowledge that, if he did not do it, he would be
marked a traitor and slated for commandeering.
The Ganys have taken a special interest in humans. They had cordoned them off
in cities with invisible olfactory walls, so that the remaining humans would
be able to find one another more easily. And of course, they had brought The
Cure. All of it was done for our — no, he thinks, their — own good.
He takes a dramatic bow, as if addressing a live audience. And in a way, he
is.
He's leaving the city today. He crams a stack of foodslabs into a looted
knapsack and heads north on foot. He walks until the sun is directly overhead
and then stops by a river to eat.
The river is contaminated; he can smell the plague in it, festering. But there
are drinkslabs in his pack, too. He tears off a few chunks of the tasteless
foam and presses on.
A half hour later he is halted by a smell halfway between burning plastic and
dog shit. I've reached it, he thinks. The wall between New York City and the
rest of the world. He holds his breath and trudges through the wall, but it in
no use. He can't hold his breath forever. His chest deflates and the
putrescent odor fills his nose and lungs, as if the dog shit is being shoveled
into his mouth by the handful. He gags, and vomits up a piece of semi-digested
foodslab. Choking, he runs out of the wall, and takes a whiff of pure air.
He didn't even make it past the fifty yard line.
Plunging back in, he finds the smell has changed. Now it's the scent of
burning tires. He moves to the right and hits a wall of solid rotting flowers.
Moving forward, there is a stench like fish guts being baked in the sun. He
stumbles backwards, and falls into the strong arms of a stranger.
"Hello there, little guy," a park ranger says. He looks into the ranger's
crossed and clouded eyes. A Gany.
"I couldn't get past the wall," he says. His eyes are running with tears and
there is vomit on his chin.
 "You shouldn't be out here all alone." The ranger gestures at his vehicle.
"C'mon, let me give you a ride back home."
He doesn't want to take charity from a Gany, but he doesn't like the prospect
of walking three and a half hours either, especially since he still can't
breathe in all the way and his stomach feels swollen and fluttery. He gets in
the vehicle.
"You have a mate back at home?" Of course, that's the first thing the ranger
would say.
"No."
"Human beings should be fruitful and multiply. It says so in your holy book."
The Gany speaks with the friendly, homey Upper New York accent that was the
ranger's voice when he was in control of the body, but he can sense the cold
analytical tone of the intelligent energy beam guiding it.
He grunts and turns back to the window. Less than twenty minutes later the
four-wheel-drive all-terrain vehicle pulls up in front of his bar. That
fucking Gany read his mind.
"You be safe now, partner."
He slams the door.
In the apartment building across the street two humans are mating. For a
moment, he wonders what it would be like to forget everything, become a
creature of instinct, every moment of your life unscripted and so automatic.
Then he goes back into the bar.
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